Sandra Oh Is Speaking

The Row trench coat, Lady Grey earrings, and Aurélie Bidermann ring. Photo: James Wright I have to confess that when I first started as editor-in-chief, Sandra Oh was on my list of dream cover stars because she is someone who knows who she is and what she believes in. To put it simply, her body of work is unmatched — from a decade of playing Dr. Cristina Yang on Grey’s Anatomy to her award-winning turn as Killing Eve’s Eve Polastri — and she’s nowhere near done.

Amanda Peet: Sandra, you act from your vagina, and I direct from my vagina. It’s where creativity is rooted! Umma is a classic psychological horror about a mother and daughter who live alone in the woods. And this urn comes from Korea, which holds the ashes of the book of my mother, and then basically haunts us. So to be able to explore the dynamic between mothers and daughters was very intriguing. And to physically and also psychologically to go into those areas of generational trauma or to question how mothering is challenging.

Sandra: When Me Too was happening, and many A-list actresses were getting together, and they realized that their experience was so isolated because many times in films, there’s only really one part for a woman. That has not been my experience. I have played rich, supporting parts and played rich, full, leading characters. A lot of the dimensionality comes from their relationship with other female characters.

Sandra: Honestly, one of my very favorite moments, not to give too much away, was when you told me in that scene in the car with Everly [Carganilla, Oh’s onscreen daughter], you said, “Swear at her.” And I feel we were all moving from the vagina place of instinct. Tory Burch top and gilet coat, Calzedonia tights, Tory Burch boots, Aurélie Bidermann earrings, and KHIRY ring. Photo: James Wright Sandra: I wanted to delve into the relationship that you think that you’re supposed to have. And then if the child is adopted and is of a different ethnicity than you, all these things kind of get thrown up in the air of seeing a character doubt herself.

Amanda: But I also feel like you’ve gotten the roles that aren’t surface-level and require a particular creative expansion like Killing Eve. I feel super emotionally toned because Killing Eve is like diving down into the ocean, and The Chair was just like flying and became instinctive. And personally, I feel in great creative shape and grateful to work on projects that are challenging the unbelievable pressure of being a modern woman.

TheCut IamSandraOh I enjoyed the online interview and photos of Ms. Oh, but as a subscriber to the magazine I got an edited down to nothing interview and NO photo spread of Sandra and that kinda sucks.

IamSandraOh Love this interview with IamSandraOh for multiple reasons ❤️

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