packages he’s worked on, he challenged himself to make sure a fresh mix and expanded boxed set had a raison d’etre. In this case, giving a more unified sound to a 1970 album that was all over the map in its original incarnation was reason enough to submit it to a remix. But above and beyond that, what Beatles fan hasn’t yearned to get high-quality versions of the famous outtakes — whether it was an hour-and-a-half’s worth or 52 hours’ worth?a 52-disc set.
Did you face special challenges with the stuff that was recorded on film at Twickenham Film Studios, and making that material sound as good as the multi-track recordings that were done at Apple a bit later? I’m a huge fan, but in the days of bootleg CDs, when I would go into a shop in the Village and see a bootleg boxed set of “Let It Be” material with what looked like about 30 discs of outtakes, I would think, there is a limit to just how deep a rabbit hole I want to go down with this stuff.
For the people who expect a dump of everything, it can be hard to accept that there’s a curatorial process, even though most people are happy to have you sifting through everything for the gold. Who makes those final selections? Is it you along with Paul and… And the conversations… What I like about “Let It Be” is that, even though it’s a different Beatles, it shows you the way they collaborated. Like John playing “Gimme Some Truth” with Paul. And even though it obviously appears on John’s album, “Imagine,” I like the fact that he’s just purely open to Paul’s suggestions… They’re a songwriting partnership. That’s why George got isolated. In the film they say to each other, “We need more songs.” And John would go, “Well, I’ve got Sunday off.
I’ve talked with Ringo about some of this before, and he, like Paul, is very open about not liking the original “Let It Be” film…But now some people are worried: Will none of that tension be represented in the Peter Jackson film, and will it be like everyone was happy-go-lucky and it was the most wonderful time in the world?hour . I’ve got to say, Peter loves a trilogy! … You know, I’ve seen all the footage. And the original film was justAnd there were limits to technology.
And Glyn Johns is an engineer-producer, but very, very good. Ethan Johns, who is his son, as you may know, told me that his advice his dad gave to him was, “When the hair stands up on the back of your arm, you’ve got a good take.” It’s like an instinctive thing, opposed to my dad being much more organized.
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