That latter aspect makes French cinematographer Bruno Delbonnel as indispensable a collaborator to Coen as his fine actors, with the otherworldly plot elements of superstition, dark magic and compressed time embedded into the aesthetic fiber of the film.
But the same could be said of production designer Stefan Dechant, who has created a Scottish landscape of the dissembling mind on Los Angeles soundstages, with stark exteriors and cold, forbidding castles that recall the geometric architecture in the metaphysical paintings of Giorgio de Chirico, their long, deep shadows threatening to engulf the characters.
It smells like someone arted in here.
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