, Link and Travis are rummaging for scrap metal in an abandoned warehouse. As they’re leaving, the police pull up to the dilapidated structure and arrest Link and his brother and take them to the county jail. There, Link, who has been beaten unconscious by the cops, wakes to find an old woman patting his wounds with a warm towel and speaking to him in Mi’kmaq, the language of the Mi’kmaw.
When Link and Travis’ father, Arvin , bails them out of jail, his visible anger warns of later violence. Sick of his father’s abuse, Link plans an escape that involves barging into Arvin’s room and stealing the keys to his car. What he finds during this haphazard search, though, is a recent birthday card from his mother, Sarah , who he had been led to believe was dead. Enraged, Link runs out of his father’s house with the addressed envelope, Travis in tow.
Another scene cut and we are in a convenience store, where Link spots Pasmay , a Mi’kmaw teen, while browsing the magazine selection. Pasmay, who’s immediately attracted to Link, tries to start a conversation with the temperamental teen. Link isn’t having it, and it’s not until Pasmay buys Travis candy and offers to help Link find his mother that their initial tension cools.
The trio’s dynamic is entertaining, and they crack jokes with the same fierceness with which they argue. But it’s the evolving romance between Link and Pasmay that’s the most fun to witness. Maybe I’m a sucker for romance, but watching Link and Pasmay steal glances and exchange knowing smirks begins to feel more thrilling than the journey itself. Lewitski, who stars in Hulu’s
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