In “Arrival” for Bruce Wood Dance and “Critical Mass” for Dallas Black Dance Theatre, the New York-based choreographer flashes his gift for turning chaos into poignancy.
So much so that two Dallas companies are premiering works by the New York-based De La Cruz within a week of one another. The commissions fromfollow a duet he created last year for presenter TITAS’ annual gala, starring one performer from each troupe. By the time the year ends, De La Cruz will have made eight new pieces in 2023.
Filipino-American choreographer Norbert De La Cruz III at the Bruce Wood Dance studios in the Dallas Design District, where he created a new work called "Arrival" for the troupe.After accompanying a friend to a hip-hop class at age 11 or 12, he was eventually drawn into the world of ballet, which always has a shortage of talented boys interested in dancing.
“It started as just a hobby, but as I got more validation from teachers and friends that, ‘You’re actually good at this,’ there was an arrival of, ‘You are meant to dance.’ I felt the improvement in every single class, so to find some sense of completion made it more like I had a responsibility to be a part of it. I felt like I was part of a community, something I never felt in sports. So I deviated from my parents’ plan and became an artist, which is a big fear for an immigrant family.
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