Off the rails? The inside story of how Carriageworks lost its footing

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Over an ambitious decade, the arts company took risks to put itself on the map, but never got the support from government it wanted.

Nearing the end of his stint as Carriageworks' interim chief executive last year, Euan Upston tried to fix a looming problem. The arts company was not having its best year, and facing a loss, Upston approached government agency Create NSW about a financial lifeline.

And history may yet come back to bite. The charity's directors have put a rescue package on the table, conditionally endorsed by KPMG. But it hinges on the government agreeing to a long-term lease - a commitment the Premier, who is also the acting arts minister, is yet to make. Now and in the past, the Carriageworks board has been graced by a who's who of Sydney business identities. Its acting chair is corporate adviser Cass O'Connor; the previous chair, Sam Mostyn , left last year, as did corporate communications doyenne Sue Cato.Dallas Kilponen

When the Coalition government was elected in 2011, it was keen for Carriageworks to succeed. It turfed out George Miller's film company Kennedy Mitchell Miller from its rent-free lodgings next door, and Carriageworks expanded into the space. In 2016, Havilah revealed an ambitious six-year, $50 million plan involving the installation of a 5000-seat live music venue. By 2021, Carriageworks would be earning revenue of $15 million. The government was interested but it became tied up in bureaucracy. Meanwhile, Carriageworks' commercial earnings flatlined at about $8 million a year.

"It made it to within a minute to midnight," one proponent lamented. "It would have put Carriageworks on the safest footing." Then came the coronavirus, which effectively wiped out the prospect of any further revenue this year. Like many not-for-profits, Carriageworks had "a limited buffer to respond to severe financial shocks, such as the impact of the COVID-19 pandemic", the administrators said.

 

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I stopped reading about 3 pages down. But just to say that if all these projects were losing money and not attracting the patronage needed, then seems like it should shut. Lovely to have a venue to create art but food needed on tables.

I'm sure its better than football, but , Australians are not that bright ..and follow the leather ball blindly ...like cave men. They are not that rich either. Not under this government. too busy working themselves to death paying off their insane mortgages and their BMWs!

Sometimes even when you spend your dollar(in this case someone else's) you take your chances. Tho it's best to wait until the angel stumps up the readies. LifesAGamble smh nswpol

ten years? No self generated funds? I guess if the arts was as well advertised as the NRL then maybe they had a chance at becoming a self sustaining enterprise.

Pfft.

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