The idea of broadcasting live improv came when the locked-down players held their usual weekly rehearsal via Zoom. “We said wow, this could work if we opened it up to an audience,” Evans says.
Secondly, the show reached several different countries. “We had an audience from all over the world and that’s so cool because the audience online is vast — you can do the same thing every day and more people can join in without exhausting the market,” Evans says. Masterclasses on directing, writing and performance are being staged by the New York Theatre Workshop, with viewers asked to make a donation. They sound delightful, with a session on cabaret skills called “How To Grab Your Audience Without Even Touching Them”.
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