at the Cannes Film Festival in 2013, and you later expanded it into a feature. What first drew you to the subject of the porn industry?"I started out as a very angry anti-porn activist when I was 16 after my boyfriend showed me a porn film for the first time. At that point, I had a very black-and-white view on things. All I saw was a representation of exploiting women, objectification, dehumanization. After a few years, I started to get more nuanced.
"I went to L.A. in 2014, and I had an appointment with [porn talent agent] Mark Spiegler [who also stars in the film], and some other people who I reached out to. It took me five years to do the research properly, [including living in a model house for a short time to get close to the character]." "In the beginning, I wrote tons of stuff in my notes about the ‘weird’ stuff that was happening. But the more time I spent there, the more it became normal to me, and the more I started to feel like one of ‘them’ and stopped looking at them as the ‘other.’.. Instead of looking at the people in porn, I started looking at the people back home, and the film became about how I want to say something about our society. I’m just using the porn world as an allegory or a backdrop.
In filmmaking, the camera is everything. Where you point the camera is what perspective you’re showing. You’re choosing who the audience is going to identify with. That was something I was super specific about. Sometimes, it’s literally reversing the camera and looking at the porn camera. I wanted this film to show images that audiences haven’t seen before—what is going on outside of the traditional porn frame. ""In one scene, [all] Bella sees is [the guy’s] feet.
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