, I immediately went back to the beginning to read it again, partly because I’d found it enjoyable—charmingly wry after the fashion of Lorrie Moore—but also because the particulars ofthis book about? I couldn’t say.
Like water at the exact temperature of the human body, it can be hard to tell when you’re in Offill’s fiction and when you’reis change: hoped-for in the case of Henry; lamented by the proprietor of the local hardware store, who doesn’t care for the bourgeois newcomers to their Brooklyn neighborhood; tempting in the form of Lizzie’s crush on a globe-trotting war correspondent; and, finally, existentially threatening as manifested by global warming.
This leaves Lizzie, newly convinced of the impending collapse of everything, to delve into survivalist and prepper websites, collecting such useful knowledge as how to turn a can of tuna into an oil lamp.is Lizzie herself. Her husband declares that she has become “a crazy doomer,” but the only aspect of her life this seems to affect is her browser history. It portrays a condition of perpetual flitting that is also fundamentally static.
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