a nonfiction account of the Chinese immigrant side of her family and her great-grandfather’s rise to become a celebrated figure in Los Angeles’ Chinatown. Since then she’s written a string of historical novels that focus on the experiences and struggles of Asian women.She says “The Island of Sea Women” has taken on a different meaning for many readers as the result of the COVID-19 pandemic and other recent events.
the rites by a female shaman who channels the voices of the dead. “When none of us can travel, there’s something pretty nice about reading a book that takes place in another country. Or has a different culture from what you have within the four walls of your house,” she says.Turning her initial inspiration into a novel was a long, arduous process.
In one instance, See spoke with a woman in her 90s who, like the character Mi-ja in the novel, was the daughter of a Japanese collaborator. The woman declined to take any breaks and reminisced for eight hours straight. Afterward, the woman’s daughter told the author that “I’ve learned more about my mother today than I had learned in my entire life.”
One woman, for example, boasted about her abilities. “She told me, ‘I was so good under the sea, I could cook a meal there,’” See recalls. The author liked that line so much that her character Young-sook utters it in the novel.haenyeoin the winter while she was pregnant because the cold water eased her aches and pains. “I thought maybe she was pulling my leg,” See recalls. “That cannot be true.
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