sacrifices narrative and emotional coherence in favor of a series of would-be scary set pieces that seem mainly designed to discourage aspiring nannies from pursuing the vocation.andand its sequel, have inexplicably updated the familiar tale to the 1990s.
The basic storyline remains the same, concerning a young woman, Kate , who is hired as a nanny for two orphaned children living in a remote country estate along with their elderly housekeeper. Accepting the job despite the skepticism of her roommate Rose , Kate soon discovers that her young charges are quite a handful. Seven-year-old Flora and her fifteen-year-old brother Miles are both clearly emotionally disturbed.
Cue the predictable jump scares, fueled by everything from a sewing machine suddenly turning on to a life-size mannequin moving its head to ghostly figures fleetingly appearing in the distance. Unfortunately, most of what transpires is more funny than scary, including Kate and Miles chasing each other on horseback through a giant maze and a game of hide-and-seek played in the dark with flashlights.
Davis handles her terrified damsel-in-distress duties effectively enough, but her essentially bland performance makes you long for the icy elegance of Deborah Kerr in the classic 1961 film adaptation of the story,. Far more effective are the quietly disturbing turns by Wolfhard, who clearly has an affinity for this sort of material as evidenced by his work in the two
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