. The two shows do not share the same creative team, nor the same characters. No one involved with either has ever suggested they might in any way be related.be. Both are cheerfully anachronistic comedies about 18th century Englishmen fleeing conventional society to turn outlaw. Both heroes raise eyebrows in their new milieu for their naivete, their sartorial flair and their distaste for violence.
There’s no risk of anyone taking the series as literal fact — I know nothing about the real Dick Turpin, but feel pretty confident that he never tugged on a pair of metallic blue leggings and silver lamé cowboy boots to pass himself off as a time traveler from 15 minutes into the future. Nevertheless, it seems a missed opportunity that‘s MO. If anything, its appeal lies in how utterly unserious it is about everything.
Here and there the show might gesture toward the idea that Dick is upending his culture’s norms about gender, as when he offers to sew a man a dress or imagines a world where men and women get equal pay. Butis less interested in proffering subversive commentary than in giggling at the sight gag of Dick wandering around disguised as a nun bullfighter, complete with a catchphrase: “Olé, let’s pray.
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