Five years after her lauded short “And the Whole Sky Fit in the Dead Cow’s Eye” won Sundance’s short film jury award in international fiction, Chile’sIn “The Cow Who Sang a Song Into the Future,” Alegria continues to further expand the themes in her short. “I was exploring this in-between place, which exists beyond our physical senses. It’s where the subtle entities are, where our sensations live, where death appears,” she says.
Another issue that haunts her is the massive deaths of animals, mainly caused by unscrupulous businesses. She shot her film in Valparaiso, the region of the rivers, where in 2017, thousands of dead fish surfaced a few months after a pulp and paper factory began operation. “While writing this film, I began understanding motherhood in a more holistic way and the story became a sort of subconscious way to heal the bond with my mother and my female ancestors,” she says, pointing to Maya Deren’s experimental shorts “Meshes of the Afternoon” and “At Land” as key visual and thematic inspirations.
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