‘Nanny’ Review: An Immigrant Mother Separated From Her Child Fears the Worst

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Aisha didn’t move to New York City to raise some other mother’s kids. She moved there with the intention of bringing her young son over from Senegal. In order to pay his way, however, Aisha must do…

brings fresh eyes to this widely accepted dynamic, so rarely seen from the perspective of the immigrant worker herself.

More psychological than scary, “Nanny” might still be described as a horror movie. It certainly sounds like one, as ominous noises creak and strain beneath otherwise innocuous scenes. The film benefits a great deal from the Dolby Institute Fellowship grant, which gives select Sundance indies a major post-production upgrade. Jusu’s uneasy-making sound design creates tension where the visuals alone might not, such that neither Aisha nor audiences can quite trust their eyes.

“Nanny” finds original ways to convey the pressures Aisha faces in adjusting to her new home. Because the character doesn’t speak much, her visions — like the sight of a spider crawling into her open mouth while she sleeps, or the run-in with a mermaid who tries to drag her under at the local swimming pool — serve as haunting projections of Aisha’s innermost fears.

Amy does her best to appear warm and accepting of this foreigner who will be cooking and caring for young Rose , a girl who, as described, sounds difficult and allergy-prone. Amy shows Aisha the room she’ll use for overnight stays. “Please, make this space yours,” she says before handing the new nanny a binder full of guidelines, and we can’t help anticipating how this caring yet controlling mother will react when Aisha inevitably misinterprets one of her decrees.

 

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It wouldn’t happen if she stayed home and fixed her “village”.

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