‘Ripley’: Dakota Fanning Transformed Marge Into the Perfect Villain

While Tom believes himself to be the ultimate outsider, he and Marge are two sides of the same coin. Deep down, the titular character knows this, and it makes his hatred of her grow. But, instead of being a side character that simply gets on Tom’s nerves—like in Anthony Minghella’s 1999 film, the best-known film based on Highsmith’s novel—Marge uses his hatred for her to her advantage, reinventing her character along the way.

This take on Marge is fresher than that of Paltrow’s, her most recent on-screen counterpart. Here, she is not only a direct foil for Tom but also a mirror for him to see himself through every time they share a scene. It’s as if each time they reunite, Tom is forced out of the disguise he wears and forced to confront his normalness.

by him. She’s also repulsed by the thought that the two men may hold a love for each other that she can’t understand. Tom, on the other hand, is repulsed by his not being able to inhabit the life and love that Marge has with Dickie.While every other rendition of Marge is simplypresent that she haunts the new life Tom is trying to build by killing Dickie and stealing his identity.This switch in her character arc makes her not only more interesting to watch but also impossible to look away from.

Despite Marge’s outwardly enigmatic persona, Tom and Marge seem to know what the other wants and how they operate on a deeper level. In episode 7, titled “Narcissus,” when the two attend Pegeen Guggenheim’s party together, Marge appears as though she sees an older, lonelier version of herself in Tom, while he sees a more outgoing and stable version of himself in her. But it’s in the series’ eighth and final episode that the two realize they are both masquerading as people they aren’t.

Source: Entertainment Trends (entertainmenttrends.net)

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