Review: Will 'Zombieland: Double Tap' be the nail in the coffin of the undead genre?

For years, people have wondered why 2009’s smash zom-com “Zombieland” never had a sequel. Ruben Fleischer’s feature directorial debut put him on the map and firmly established the postmodern zombie craze as a pop phenomenon that shows no signs of stopping. It cemented Emma Stone and Jesse Eisenberg as legitimate stars and even gave Woody Harrelson a mid-career boost. Since then, Eisenberg and Harrelson have been nominated for Oscars, and Stone has won one.

So the really weird thing about “Zombieland: Double Tap”, which reunites the original stars and filmmakers, is that it imagines a world where the past decade never happened. It feels like a movie that’s been sealed in a vault for 10 years, lost to time, waiting for cinematic archaeologists to liberate the dusty old relic from its tomb. A character wears a Juicy Couture tracksuit and no one comments on it, for crying out loud.

Watching this film is like experiencing an alternate universe where the stars never grew up and neither did the humor. But the world changed. The audience changed. This slapdash, cash-grab sequel is not nostalgic, but in a word, taxing. We find the fearsome foursome of Tallahassee , Columbus , Wichita and Little Rock playing house in the White House when we catch up with them. Columbus quickly gets us up to speed, reminding us of his endless zombie survival rules, while Fleischer reminds us of his self-reflective on-screen text tic. Although Columbus wants to settle down with his woman, Wichita, watching the odd family rattle messily around the Oval Office isn’t all that interesting, so Wichita and Little Rock take off.

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