Principle Gallery's 30th Anniversary Exhibition showcases diverse styles of contemporary art

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Contemporary Art,Principle Gallery,30Th Anniversary Exhibition

Contemporary art enthusiasts visiting Principle Gallery might be surprised by the diverse range of styles showcased in their 30th Anniversary Exhibition, including traditional, impressionistic, and surrealistic works. The Washington Post covers this event and other cultural happenings with personality and deep reporting.

Contemporary art enthusiasts, perhaps on their way to the nearby Torpedo Factory, could stroll past Principle Gallery without a thought. They might assume that this venue for contemporary representational painting offers nothing but pretty pictures of sunsets, bowls of fruit and sailboats on open water. All those subjects are indeed included in the venue’s “30th Anniversary Exhibition,” but they’re executed with sufficient flair to impress even viewers who prefer abstract or conceptual art.

Style is where The Washington Post covers happenings on the front lines of culture and what it all means, including the arts, media, social trends, politics and yes, fashion, all told with personality and deep reporting. For more Style stories,Sometimes the twist is just in subject matter. Larry Preston paints black-background still lifes in the manner of a 17th-century Dutch master, but one of his pictures portrays several stacks of sticky-looking iced doughnuts.

The primarily black-and-white pictures are drawn with ink and liquid charcoal, supplemented with watery monochromatic painting. Inserted into them are photos of windows, stairs and other structural details in blueprint-like cyanotype. Metallic-gold accents set off the blue, much as the mottled washes contrast the hard-edge renderings of arches, filigree and jewellike structures.

Hyemin An’s subway sketches aren’t high-tech, but they reflect some of the themes explored by the other 21 artists: the relationship between humans and machines, anatomies transformed by technology, and the culture shock of the pandemic. The riders become units of a larger mechanism, much like the body parts in Soeun Bae’s sculptures, one of which places a glass model of a human ear at the center of a sort of Zen garden.

Contemporary Art Principle Gallery 30Th Anniversary Exhibition Diverse Styles Traditional Impressionistic Surrealistic The Washington Post

 

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