Courtesy of Munson Williams Proctor Arts Institute, Hermès, Lanvin, Caspari and others.
Munson-Williams chief curator Stephen Harrison said, “This whole idea of tromp l’oleil has fascinated artists and sculptors through the ages. And trying to create something from one medium into another and fooling the eye. Her works are really adaptations of earlier gowns portrayed in portraits, other paintings or are [based] on actual works of fashion.”
With photo murals depicting the works of art that inspired some of the artist’s designs, viewers will see the connection with trompe l’oleil and how she is moving from textiles to paper, he said. Her creations being made of paper will inspire young designers, since it is so easy to work with and it remains an important part of fashion design in that patterns are drawn and cut from paper, Harrison said. “Continuing through the process, you just lose the stitching and it’s more about construction than it is about sewing. The method is different, but what you are trying to achieve is a similar result.
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