for several years now alongside the so-called “Fab 5:” Four gay men and a masculine-presenting nonbinary person. But season five has also revealed some of the show's shortcomings and blind spots.features a Japanese gay man struggling to come out — a classic trope of the show. But in this case, the Fab 5 descend upon a society with disparate and complicated cultural norms to tell the man, Kan, how to be “out” and “proud.” At best, it was a culturally tone-deaf exercise.
The LGBTQ movement is supposedly built to empower diversity, and yet the irony of mainstream queer advocacy is that it remains quite rigid and homogeneous in its worldview. The paradigm of sexual identity tends to come in the form of a binary: One is either out of the closet or in it, proud or ashamed, open or repressed. Embedded in this paradigm is a righteousness, a belief that somehow there is a “right” way to be out. But Western culture is highly individualistic, and what pride and empowerment looks like for an American, say, often doesn’t translate in places that are comparatively more collectivist, or where there is a larger emphasis on familial relations.
The “Queer Eye” experts are trying to do something they think will be positive, that much is clear. But conflating the coming out experience for men and women as one that is equally liberating can be harmful and sometimes even dangerous.
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