died ten years ago, in October 2013. But since then, he’s just become a more massive, more famous, more influential figure. His life is one of the strangest music stories ever. Will Hermes tells the whole epic tale in his new biography, with his band the Velvet Underground, in the Warhol Factory scene of the 1960s. “I’m Waiting For The Man,” “Sister Ray,” “Sweet Jane”—these are songs that capture the mean rush of the city. .
He studied writing with the poet Delmore Schwartz. Lou was a storyteller, a fiction writer. Schwartz hated rock & roll—he called it “cat-gut music.” But even though Delmore always told him, you can’t do poetry in pop songs, Lou was just the kind of guy to say, “I can fucking do it. Watch me.” Wes Anderson Speaks Out Against Roald Dahl Book Censorship in Venice
Well, the Dead were another band that had an avant-garde composer playing bass, and a poet writing lyrics. So there are a lot of parallels there. But there’s always something different about Lou. train of choice. It made me think about how anybody, not just a famous person—there’s always more going on that you don’t know about. People are very complicated and reveal parts of themselves to some people, other parts to other people. And it made me think how everybody’s a transformer. We all transform based on context or the people we’re with, and that’s key to his songs.
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