Arthur Jafa has just won the Golden Lion, the highest award an artist can receive at the Venice Biennale, possibly the biggest stage an artist can exhibit their work on. The Golden Lion was awarded, in part, forThe White Album, which also uses found footage to explore blackness in America, from creativity to police brutality.Ultralight Beam, Virgil Abloh was working as Kanye West’s creative director, and the two have remained friends and collaborators since.
It was a bit of a Hail Mary. The wheel pieces presented in the Venice Biennale were made for that second show at Gavin Brown’s. Ralph Rugoff, the curator of the Venice Biennale asked for them but he also wanted a video work – he had this concept that all the artists in the Biennale would present two aspects of their practice. So I showed the Big Wheels, sculptural things and a video,Initially, they were interested in presenting some older video work.
The black aesthetic isn’t about fixed hierarchies or material value, it’s about how you treat material. It’s what you do with it, how you bend it. How you shape it. How you deform it. What you juxtapose it with. How one takes a “high” material like gold, and turns that into some Dookie chain shit. That’s asserting our own value. I’m into that.
as the soundtrack to Love Is The Message but it’s not a music video context. It’s art. We hit these seminal moments where there’s a change and a shift in the understanding of what the black projected image is, and how powerfully it can be represented.Love Is The Message, You’re preaching to the choir here. One of my favourite quotes of yours, you were talking about the barriers black artists face in the art world. And you made this reference to figure skating. A black figure skater can do a triple axel somersault and levitate off the ice, and they’ll give you an 8.45. But that’s still a launchpad for me and my community.
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