ended up giving co-writing credits to Paramore and Taylor Swift for songs on her debut album that had elements that were originally conceived as blink-and-you-miss-it homages, at most, before it was determined they’d crossed a line.
For today’s artists, that sense of familiarity can come at a significant cost; you’ve got to really believe in a song to give up some — or occasionally all — of the publishing credits and royalties., who used “Girl From Ipanema” as the basis for “Girl From Rio,” reached out to the fellow-Brazilian families of writers Tom Jobim and Vinicius de Moraes for permission, and she says, “They are amazing people — we are friends now.” But that didn’t preclude hardboiled negotiation.
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