Big Mouth is exceptional. It’s a remarkable feat in storytelling that balances uproarious raunchy humor with a sincere and deeply meaningful exploration of the pre-teen experience. Could the team behind the Netflix animated show really do it again with the spinoff series, Human Resources? Turns out, they very much can. In fact, the show is able to sustain some serious range — a range that goes from a boxing match between two penises to an extremely moving depiction of the value of grief.
Galuska explained how the idea for Human Resources sprung from Big Mouth, and the unique opportunities this new primary location and set of characters afforded them: “I think Keith from Grief, while maybe not the hardest to crack, he ended up being, to me, one of the more important ones. To sort of come to the understanding — and again, this is Victor Quinaz through and through, who was a huge part of this — the understanding that grief can be both scary and comforting was a huge thing to come to.
“There’s a million things because this show allows such a broad canvas because it deals with all of human experience. So I think something that I think about a lot in these last couple of years is hope. I would like to dig into that because it’s something that I think we all need so much of and can sometimes be in short supply and I think it’s an interesting thing to think about.
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