”—neither god nor master—in his journal of the same name to describe the new world order he envisioned. Since then, the phrase has been appropriated by Friedrich Nietzsche, birth control advocate Margaret Sanger, and a myriad of punks, anarchists and feminists to describe a global frustration with the laws that enable systemic injustice in Western society.
An established artist openly admitting their album is inspired by the BLM and #MeToo movements admittedly makes me nervous—it’s often a slippery slope towards exploitative self-aggrandizing. Butleads with an honesty that’s hard to deny, even when it leans into more typical protest music tropes. I can believe Manson feels what she’s singing about here, and it never gets so corny that it reads like a platitudinous liberal Facebook post.
The album’s tour de force, however, is the achingly apocalyptic “A Woman Destroyed,” which leads with filmic synth chords that may or may not closely resemble.” It’s a classic song of righteous revenge from the point of view of a woman who’s been wronged by her lover. “You swapped your queen out for a pawn / Lock your door, get a guard dog,” Manson warbles just before a staccato of sharp synths piles in.
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