In Jadin’s case, the second leg of that story may have had something to do with it. Some months after Jadin’s death, Jadin’s father, Joe Bell, decided to walk the country in honor of his son, from his home in La Grande all the way to New York, landing where Jadin once dreamed of living out the rest of his life after high school. And giving talks, campaigning against bullying in schools, at motorcycle rallies, wherever he could, as he traveled.
So far, this must sound like a redemption narrative. It is and it isn’t. The film is split nearly in two. It’s dominant strand is a study of Joe’s travels on the road, which are punctuated by the slim bits of contact he still has with the family left back home, particularly his wife Lola , who has her own frustrations — and whose presence trains us to keep in mind the ways that Joe is, despite this mission, an imperfect man.
Reid Miller’s accomplished performance renders Jadin extraordinary for being so ordinary; smart, sensitive, almost unduly wise, but in the scheme of things normal, which is to say, trying his hardest to be himself despite the risks. He weathers anonymous texts from bullies on his own. He navigates his sense of himself on his own.
Mark Wahlberg? It's like Matt Damon/George Clooney/Meryl Streep playing a character that stands up to a sexual predator of a movie producer.
The film neglects to show how horrible Joe bell was to his son when he was alive...only after the kid killed himself did he give a shit. Fuck him.
Poor son
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