Caleb Landry Jones and Christoph Waltz Got That Dog in Them

has become a master of portraying the angry and sensitive young man, a cinematic archetype that often unravels into heinous acts of violence. His performance inoffers the same damaged, off-kilter intensity, playing out in a fever dream of a script. Jones plays the film’s traumatized anti-hero—the Dog Man himself—who, despite being in a wheelchair, nurtures an intense psychic bond with a pack of dogs, allowing him to operate as a kind of godfather-like figure in a perilous crime-ridden landscape.

JONES: I heard they’re taking away outside smoking in Paris. I thought they’ll never let that happen. WALTZ: I meant to ask you about the dogs, because I am seriously interested in the behavior of dogs. I think dogs are fantastic.JONES: I mean, it was so controlled that nothing serious ever happened. But that’s because they were together daily for a month beforehand, in the parks and stuff. Everyone was training together. And the dogs from the shelters fit in so quickly with the ones that were already following the leader, so to speak.

WALTZ: You know, Irish sheepdogs, border collies, they’re not trained by people. They’re trained by their mothers. It’s incredible. They know how to herd because they learn it from their mothers.JONES: No, we learn it in school, and we’re bullied, and we’re trying to get out of it.

JONES: Timpani and violin. So that’s probably why I stay away from that stuff. It’s great, but man, jazz is the real deal. My grandfather was a jazz drummer in the big band scene. And he came in when Tommy Dorsey was throwing his hissy fits. He made his living on that, and he was doing a lot of jingles out of his house in Texas, but would never come out to L.A. forJONES: She’d teach violin and piano. Later she’d teach harp and organ when the arthritis stopped the violin.

Source: Entertainment Trends (entertainmenttrends.net)

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