Annie Clark On Unpacking Her St. Vincent Persona In 'The Nowhere Inn'

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The music mockumentary, made with Carrie Brownstein, skewers the absurdity of rockstar life and claiming authenticity in artistry.

Music documentaries are traditionally something of a hallowed art form, drawing the viewer deeper into the world of an artist, capturing the essence of their supersized performer personas as well as the intimate moments the artists otherwise would live off-screen.

Oh, absolutely. I think in order to get good at say, performing, or good at being a musician, you have to kind of make peace with humiliation. The only way to get good is to be vulnerable and open yourself up and try things that you're not sure if you can land. I feel very connected to my own ridiculousness, and the dog and pony aspect, the mythmaking, the entourages and all that. That's all part of the spaceship that makes people float off into outer space and never come back again.

In order to be a writer, which is what I am, you have to be able to write about the human experience. And if you sequester yourself from the human experience, then you won't have anything to write about. And so I think it's a little different for people who are writers and people who are, say pop stars, who don't need to write their own material, you know? ‘Cause you could more easily fly into outer space. But for me, I got to live and I can't just float away in the dream.

 

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