The last time I saw Cirque du Soleil in Melbourne, it felt like the end of the world.opened in late March 2020, days out from COVID lockdown and on entering the big top, we all filed past hand sanitiser stations for the first time. The show in front of us was transporting, and worry bowed to wonder as we watched elite acrobats fly like clockwork through a steampunk universe.Cirque du Soleil is reliable like that and for them, the new normal is the old one.
It begins, as Cirque du Soleil shows often do, with a clown on the cusp of adventure – in this case, jumping from a plane without a parachute – and soon unlocks a dreamscape drenched in the cultures and customs and natural beauty of Mexico. It isn’t above a bit of Mexican cheese – random sombrero drops, some pretty adorable cactus costumes – but most ofCredit:A particularly eye-catching sequence imagines an aerialist on trapeze and two acrobats on Cyr wheel as nature spirits whizzing through and under a waterfall. (It’s a sight to behold: stage rain is one thing, only a colossus like Cirque du Soleil hasGravity-defying display is a highlight.
Source: Entertainment Trends (entertainmenttrends.net)
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