Cirque du Soleil’s enduring appeal is that it offers a break from reality: inside the tent, the world is brighter, more beautiful, more beguilingly surreal. So it’s perhaps surprising that one of the astonishing moments at, the company’s current show, is provided by something utterly ordinary: a sudden downpour of rain.
Enya White, who performs in the water sequence on the trapeze, enrolled in circus school when she was nine years old; at 12, she began training as an aerialist. She was drawn to the discipline because it gave her a sense of flight and freedom: “I loved the feeling of being able to dance in the air without touching the ground,” she says.Not long after joining Cirque du Soleil in 2015, White began working on, a show inspired by the culture, landscape and folklore of Mexico.
Westland hails from Tasmania, where he originally did his apprenticeship as a plumber. His job saw him relocate to Perth, and eventually to Canada. It was there he made the industry contacts that led him to join the Cirque during its London season of“I knew that world existed, but it’s not something everyone gets exposure to,” he says of his journey from Australia’s southernmost state to a life among carnival workers. “It wasn’t until I saw this show that I thought it could be a possibility.
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