few days ago, I was tidying my home office – which more closely resembles a video game arcade recently hit by a tornado – when I found a long-lost piece of technology in the bottom drawer of my filing cabinet. It was an old Xbox 360, the Elite model – black, heavy, ungainly, impossibly retro. Out of curiosity, I hauled it out, found a controller and power cable and switched it on.
At first, it seemed I would not be able to find it again. When I booted up the old machine it wouldn’t let me sign into my Xbox Live account, and the version of the game I had on the hard drive was a trial copy so I couldn’t load saves. I was crestfallen. I was sure this was the version of the game I’d first played with Zac and his younger brother, Albie – the three of us together, building worlds. Did those worlds still exist, locked away on the hard drive? I was so tantalisingly close.
Like Fortnite, it has also become a self-contained multiverse – a place where people go to hang out, to socialise, to play together even when they can’t be together. “Minecraft felt extra magical during Covid,” says Larsson. “I mean, the whole world shut down and suddenly we were just in a very different and hard situation. And yes, we heard about so many players who were able to stay in contact with friends and family thanks to Minecraft.
When Boy Made of Blocks was published, something odd happened. People started to share their experiences of the game with me. I have given many talks about Minecraft and my novel. I have spoken at NHS events, at EU meetings in Brussels, at Comic Cons and book festivals. Almost every time, when the talk finishes, there will be a family waiting behind to speak to me. It’ll be a parent or parents, shepherding with them a shy child or young adult.
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