, a series of images that call attention to the complex and controversial subject of Female Genital Mutilation intertwined with the colonial gaze. The latter was presented at the opening exhibition of the Zeitz MOCAA in Cape Town, back in September 2017.
“These images from the colonialist days were taken as ethnological documentation and sold as postcards. I remember vividly that when I saw them for the first time, I didn’t understand what I was looking at. My reaction was to stop looking and hide them from my sight, but the images stayed with me, as a graphic representation of violence in the bodies of women and girls,” she explains.
The artist found the old pictures in her father’s drawer and although she says she couldn’t understand them at the time, she couldn’t forget them either. “For me, the action of ‘removing’ the face and intimate parts of the women in the images materially represents the effect of the mutilation on their identity. In this project, I have been aware of the risk of speaking on behalf of others, since in my previous works I have tended to deal with personal biographical issues or universal subjects. To feel that my work was an artistic contribution to the experience of other women, the projecthas been essential.
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