The live broadcast of the 1970 Miss World competition was viewed by over 100 million people worldwide – more than the World Cup or even the moon landing the year before.is an uplifting film about the disruption of that broadcast by the newly formed Women’s’ Liberation Movement, which forced the world to question the sexist culture of pageants, shook the racial culture of the competition itself, and spurred massive growth of women’s movements globally.
We open with a nervous Sally Alexander being interviewed by an all-male panel in the history faculty of University College London. A divorced mother, she dances around their sexist presumptions and prejudices, trying to allay their hesitancy whilst avoiding threatening them with overt feminism. When asked about having left school at 15, she replies: “my school didn’t really foster academic ambition, it was more about preparing us for marriage.
Frustrated by idleness and outright bigotry, Sally is drawn to a group of radical young feminist activists in theCut to a gaggle of dolled-up gals in swimsuits doing little twirls so that a panel of male judges can inspect their behinds. A man holds forth, “lovely face obviously, good legs. No defects – knock-knees, wonky teeth … They also have to be unmarried, by which I also mean untouched, and if they’re not pretty much 36-24-36, it goes without saying, the curves won’t be in the right place.
The film exalts both Sally and Jo’s forms of activism, but also admits their flaws, showing how Sally’s academic ambitions are stifled, and how Jo’s militant anti-establishment tactics are impractical and throw the baby out with the bathwater. Things really kick-off when the two start working together.
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