Embedding value into material culture at the Investec Cape Town Art Fair | Arts and Culture | M&G

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The flesh, the self and the word have the power to mediate histories of unique localities. For multidisciplinary artist Thania Petersen, the word to begin with is Iqra, which means “to read” in Arabic.

The Investec Cape Town Art Fair has most certainly seen an expansion in its layout, with the two most impactful creative labours being delivered outside of the main venue of the Cape Town International Convention Centre. One was a quick bike ride away in the CBD at WhatIfTheWorld, the other a lengthy car ride around the mountain at the Norval Foundation.

At a walkabout during the art fair, Petersen recounted the brightly coloured days when she picked up her grandmother from the airport as she returned home from Mecca, the holy city according to the Islamic faith. Fast forward two generations, and Petersen has noticed a loss of colour, as families at the airport fetch their loved ones from an integral journey in the Islamic faith, dressed in black.

One section of the installation employs black material stained by charcoal which still has pieces of metal attached to it. When touched, it leaves grease on your fingers. Interspersed with the section of black is a section of quality control tags which come from single jute sacks. There are many of them, threaded with rope and then stitched to the sacks.

Source: Entertainment Trends (entertainmenttrends.net)

 

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