Dumama + Kechou's 'buffering juju': Freedom in two acts

Who can think of kissing a stranger, jumping on to a bus or sending their child to school without feeling real fear? Who can think of ordinary pleasure and not assess its risk? Who among us is not a quack epidemiologist, virologist, statistician and prophet? Which scientist or doctor is not secretly praying for a miracle? Which priest is not — secretly, at least — submitting to science?" Sometime in February, the world as we know it shudders to a stop.

A third of the world is confined to their houses, unwilling to go back in public, lest a hug, a brushing of the shoulder turns deadly. Streets empty out. Sidewalks remain unoccupied. Tacked onto a row of street lamps, flanking the main road, a barrage of headlines announce our worst fears:"extended lockdown","dead being ferried","travel restrictions set to continue","South Africans urged to social distance”". The years of imprisonment hardened me...

It’s an album that’s contrary to the global political moment. The idea of a personal freedom seems so alien given that a third of the world has been confined to their homes. It’s an irony that isn’t lost on Duma."I'm in Berlin at the moment," she says, over Skype."I came to spend some time with Kechou and his family after the passing of his father. I was meant to stay for nine days but corona said 'you will live here until further notice'.

"Me and Karim did our best to give the protagonist some interiority," says Duma."We imagined her as a human being, defined by her travel and the need to escape. But the song – and the album as a whole – catalogued the experience of the women around me. I wrote… with my sister after the father of her child up and left. I mean, it was surprising, but not surprising, you know what I mean? I wanted a song that tapped into her resilience.

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