Capers of a cheeky jazzman | Arts and Culture | M&G

The rise of the DJ has, with the 2008 economic crash, spelt the demise of many a musician. Venues would rather hire one DJ than a whole group of musicians — DJs play prerecorded tracks that sound great; patrons enjoy listening and dancing to songs they already know.

Locally, Sax has shared the stage with Goldfish, Uhuru, Jack Mantis, Napalma and Mango Groove. He’s also worked with Loshalaba Reggae Penetration from Botswana, the Havana Soul Band in Miami and Clifford Brown’s band in Palma, Mallorca. “Eventually I said to them, ‘Look, let me play just one song, if you don’t like it I will stop immediately.’ They grudgingly said okay and I grabbed the opportunity with both hands. I played one killer song and the crowd went crazy — everybody was crowding up to the DJ box — as I was about to put away my gear, they said ‘No, wait, carry on!’ So I did.

It’s not as though Sax hadn’t earned his stripes in the local jazz community. In the 1980s and early 1990s he worked at Bassline in Melville, where he met members of the Elite Swingsters and The Jazz Pioneers. They took him under their wing and mentored him, affectionately calling him “grandson”. “One night they told me we were playing at a club in Hillbrow, which was rough, even then. The band bought some meat and made a braai with it on the street at a shisa nyama, and from there we went to Mi-Vami.

“After that we were invited to play at Nelson Mandela’s birthday party — he shook my hand and danced with us while we played. Helen Suzman, Thabo Mbeki and George Bizos were there. We showed people that the new South Africa was all about us working together, and music was the glue.”

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