s is all about the famed director’s own life, although it’s not so much your run-of-the-mill biopic and more a truly mesmerising, semi-fictionalised, coming-of-auteur story.
has called it “the best movie of the year so far” for being “gripping, visually mesmeric” and boasting an “exceptional, grounded script”.The Fabelmans explores how Spielberg’s parents’ divorce might just have been the breakup that launched a thousand blockbusters .Post-Roma we’ve seen a glut of big auteurs going small to bring something of their own previously unexplored past to life, toeing a fine line between vulnerable investigation and vainglorious indulgence.
Despite his often unfairly simplified association with full-throated sentimentality, Spielberg’s attempt is actually relatively restrained and rooted in reality, avoiding the obvious cloy that could so easily come with the territory. The script, from Spielberg and Tony Kushner, speeds past the easy potholes and takes us somewhere less expected, focusing on smaller, not-as-easily explained emotions rather than the swell of the big.While Michelle Williams speeds to the front of the Oscar race with an unforgettable performance,Take a trip down Spielberg’s “incredibly endearing” memory lane:
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