Alex Garland ’s films have never shied away from depicting threats to humanity. From 2002's surprisingly brilliant pandemic movie 28 Days Later to the uncontrollable artificial intelligence of 2014’s Ex Machina, Garland seems to have a knack for tapping into the zeitgeist. But the filmmaker reckons his movies are less about playing to our fears, than merely reporting on what is right in front of us.
The rapidity with which society can disintegrate has long fascinated the 53-year-old British-born filmmaker who burst onto Hollywood's radar with the screenplay for the zombie apocalypse thriller 28 Days Later. Western democracies, he says, can lean too much on their sense of exceptionalism. Civil War isn’t an act of cynicism. It’s a warning shot. Things are always in a slightly more dangerous state than they might appear.
Source: Entertainment Trends (entertainmenttrends.net)
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