“I couldn’t deal with what was happening to these children,” she says from the small interior of the, in Albert Street, Johannesburg. “And I wasn’t at a point where I could visit a doctor, even though I had doctor friends.”
“The green, the yellow, the purples, the blues … that’s kind of how petrol looks,” she says, tracing her fingers over the contours of, a striking, large-scale work taking up roughly the space of a human torso. “When it’s coming from the ground as a raw material, it is usually black.” If there is a kind of accidental beauty and claustrophobia to the mixed-media works developed on paper, Zulu’s works on canvas, also digitally reprinted, breathe, and are a tad more deliberate in execution. Her backgrounds are more monochromatic, shifting the focus to the sky, or the cosmos, with a central, dominating figure that is at times human-like and, on occasion, bovine. “I wanted to show how the light changes in the sky, because it doesn’t start off with being blue,” she says.
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