In 2017, before she’d even met Auerbach, she was in the midst of “one of my visits to Nashville where I kept on convincing people that I lived here, although I didn’t,” she recalls with a laugh. Yola was hanging out with Tasjan, whom she describes as “my brother from another mother.” One night, she recalls, “We’d been drinking. We were talking about life. You know how it is over a bottle of wine: ‘Oh, God. This is happening in the U.K. It’s a frickin’ hot mess.
At some point Tasjan began playing a buoyant riff on his guitar, and Yola started singing along, riffing on her feelings about May’s speech: “Everybody’s saying/That it’s gonna be all right/But I can’t help but wonder/If it’s gonna be on my dime.” As she recalls, “The lyrics started just coming down like a torrent. The first verse is unchanged.”, but when the time came to work up new material for its follow-up, she returned to the nascent tune.
When it came to the music, Yola also had a vision in mind. She locked into Tasjan’s “groovy-feel style of playing,” since she didn’t want her own protest song to sound dour. “I wanted it to feel like a bunch of people who were just marching down the street very victoriously,” she says, “and felt like a successful demonstration in its energy — a good energy, a high energy, upbeat, like we’re really unified and really believing in what we’re doing.
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