X-Men ’97 shows that Marvel and the MCU are moving in the right direction

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This spring, there have been three streaming series that have broken through the pop culture clutter and become “water cooler shows” — shows that are discussed obsessively across social media platform

s like X and TikTok and, yes, even the last remaining water coolers left in offices across the world. The first two — Shōgun and Baby Reindeer — were mild surprises; after all, how many historical epics set in feudal Japan and shows about male sexual trauma have topped the Nielsen viewing charts?

Related Why X-Men ’97 works It’s not a shocking statement to claim that reboots are often lazy and not vey good, but X-Men ’97 works because it recognizes the appeal of the original show, X-Men: The Animated Series, and updated it with a modern storytelling sensibility. When it debuted in 1992, X-Men: The Animated Series became an instant hit with children and some adult comic fans because it synthesized 30 years of story into one easily digestible package.

In X-Men ’97, there’s a genuine sense of family shared between not just these characters but the entire X-Men squad, and that’s crucial to the appeal of the entire X-franchise. It’s not just about one hero, or two, or three; instead, it’s about dozens, and sometimes even hundreds, of characters that have unique powers and, more importantly, different personalities.

Last, but certainly not least, the fifth episode dropped a nuclear bomb on its own show in the form of an Omega Sentinel, a massive robot that slaughtered countless mutants, including wide-eyed innocent Leech, major X-villain Sebastian Shaw, and, perhaps most surprisingly and devastatingly of all, fan-favorite Gambit, who shuffled off this mortal coil protecting the woman he loved.

Iron Man died a heroic death, the promise of Captain Marvel as a deus ex machina was fulfilled, and Black Widow and Steve Rogers both had their storylines come to a logical end. It also set up intriguing new storylines, from Scarlet Witch’s search for meaning after her devastating loss to Thor’s quest for a new home, that hinted at the next phase in Marvel’s evolution.

That’s exactly why the X-Men comics were so popular from the ’70s and ’80s to the present, especially when Chris Claremont was steering the ship. Beloved characters can and will die, new ones will be introduced to take their own place in the homo superior pantheon, and the main narrative will take some turns you won’t see coming.

Avengers Marvel MCU The Marvels X-Men X-Men 97 X-Men: The Animated Series

 

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