movie, and she was an executive producer who wrote or co-wrote some episodes of HBO’sis the American version of the British seriesThe Baby-Sitters Cluband a writer for The CW’s superhero drama seriesalso has a background as a TV writer and producer, with credits that include Lifetime’s dramedy seriesKelsey Stephanides of Syfy’s short-form animated series, which is her first series for a TV network, makes her debut as a TV writer and TV producer with the show.
Hall had the opposite experience in getting her first TV series. She says, “I took it upon myself to call my reps at the time, and I let them know that I wanted to pitch [the show] around L.A. … A lot of places didn’t even want to hear the pitch.” After getting many rejections, Hall finally got a “yes” from Starz, which she says was the first and only offer for the show. “Sometimes, you just need one ‘yes,’” she comments.
And as showrunners, Hall and Moselle know that there are plenty of ways to find talented women who can work behind the scenes. The most common way they fill off-camera jobs is through referrals from people they know, but Moselle says she also posts job openings on social media, and she does extensive searches of entertainment databases. She mentions Free the Bid as one of the best online resources.
Hall explains, “It comes from my own lived experience. The fact that I am a young Black woman, oftentimes I wasn’t given a chance … Why can’t we as women get our first time?”
Women have to hire more women. That's what it takes. womenhiringowomen
I love that you track this, but there's something about this article that feels like it's erasing the female showrunners of previous years. There have always been a handful of female showrunners. These amazing women join that club.
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