It doesn’t take much for Yuja Wang to draw in listeners and make all earthly objects around her disappear. That she could nearly fill Verizon Hall Tuesday night meant that she had a rapt audience before even playing a note.to open her solo recital with Olivier Messiaen.
It was a similar sensibility that made her Chopin so gripping. There was nothing predictable in the lilt she gave to the pulsing rhythm of the. The flexible approach to tempo was within certain bounds, yet small moves had a profound effect on emotion. The sad waltz in themight never have been rendered with such poignancy or peril, and the mountain of sound to which Wang built was almost suffocating in its intensity.
The two encores were each cool and hot, both in transcriptions by the pianist herself. Arturo Márquez’swanted for the percussion of the original orchestral version made popular by conductor Gustavo Dudamel, though Wang’s long crescendo-accelerando was beautifully paced. And her “Scherzo” from Tchaikovsky’smade you understand why Vladimir Horowitz is one of her idols.
Next concert in the Kimmel Center’s Spotlight Series: pianist Evgeny Kissin, May 15 at 8 p.m. in Verizon Hall, Broad and Spruce Sts. Tickets are $51-$136. philorch.org, 215-893-1999.
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