When Paramount+ announced a series adaptation of Nicolas Roeg’s timeless cult classic The Man Who Fell to Earth from 1976, it seemed like another beloved cult classic unnecessarily adapted into a streaming series. We live in the age of nostalgia, and studios are looking for any movie that might work as a rebooted miniseries or television show to support the plethora of streaming services.
Bowie — then at the height of his perpetually experimental career — is enigmatic as Thomas. He embodies Newton’s bewilderment without crossing into cartoonish territory. When Thomas is still innocent at the beginning of the film, Bowie is restrained, stoic, almost robotic. As the plot advances and Thomas falls into the trap of sex and alcohol, Bowie lets loose, and the rock star persona comes out without ever sacrificing the alien’s trademark awkwardness.
The relationship perfectly captures one of the film’s central themes: The pursuit of personal satisfaction versus the fulfillment of duty. Thomas goes forward with his plan to build the spaceship that’ll take him back to his home world, but he still indulges in the earthly pleasures that Mary-Lou provides. He mentions he’s married, but neither seems to care as they enter a highly experimental relationship that awakens Thomas’ curiosity about the world.
How dafuq is a 1976 movie a “digital trend”
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