Why Sundance filmmaker labs at 40 should be a model for studio executives

John Cooper will move into an emeritus director role after the conclusion of this year’s festival. He shared some of his favorite memories from his years at Sundance.: Before I came to Sundance, I was a creative executive at companies developing scripts and material, working with writers and directors. So the Sundance labs had always carried a kind of a mythology. That’s where interesting talent comes from. It’s a place where people go to do work that executives never get to go.

And then I did the director’s lab in ‘08. I had just come out of film school. And having the labs as a thing to go to was the only thing I knew for sure was gonna happen next as a filmmaker. So it came at this very vulnerable, tenuous time. I was really glad for it, because it was my first time getting to just meet other filmmakers up close in that way and also getting to kind of connect to industry in this kind of protected way. So it was a first for all of that.

: I remember being incredibly impressed from the beginning with the quality of the filmmakers, the quality of the writers and the other advisors and just being like, OK, this is rare air, this is a tremendous honor to be amongst this group of people. So I tried not to focus on my own insecurities and I tried to think about, what do I know about story? You know, what have I learned about story? And that’s what I tried to share. Like, OK, “Eve’s Bayou” was a successful story that I wrote.

Robert Redford at the the Sundance Institute 1982 Directors Lab. The Sundance labs celebrate their 40th anniversary in 2021.You take and leave whatever you want. One of cool things about the writers lab is you’re encouraged not to take any notes — you just listen and whatever it is that resonates with you or you think is applicable to your work, that’s the kind of stuff that will stick with you. It’s not about writing down every single thing that someone says, which is great because I hate that.

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