has a long talk with a somewhat less-than-present conversation partner, to which Moss herself brings a certain wired tension. Her physical posture, upright even as her voice frays with exhaustion, indicates as much as do her words a new resolve to do better than she’s done as a caretaker. Having run out of things to say to a person about whom she holds complicated feelings, Moss finds in memory a piece of music to communicate a love and a passion it can be almost unbearably painful to admit.
It’s typical “Handmaid’s” — watchable in the extreme for both the high quality of its central performance and its willingness to be outright odd, even as it fails on any level beyond simple plot reversal. June’s fortunes, on the show, work like a sine wave, and so, too, do her reactions.
But strong choices, as is often the problem with this show, are not the same as ones that work. “Heaven Is a Place on Earth” conveys nothing but a bit of comfort and solidarity with Ofmatthew and ironic counterpoint to June’s situation, as randomly chosen as is her newfound status as leader of a crusade.
This is a moment that stands among the very best screen acting I’ve seen this decade, and makes “Her Smell” the crowning achievement in what has become a very exciting career for Moss.
Scientologists deserve more? 🤔
Mad Men is nothing?
She does movies to
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