Why Chely Wright Had to Wait 10 Years to Play the Opry After Coming Out

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Grand Ole Opry regular Chely Wright came out in 2010. It took her nearly a decade to return to the Opry stage

in the Grand Ole Opry’s former home at the Ryman Auditorium, chosen because Wright’s presence in the hallowed hall is actually witnessed by the throngs who visit there on a daily basis. In 1994, to celebrate the grand reopening of the Ryman, she served as the model for a bronze statue of Minnie Pearl in conversation with Roy Acuff, created by sculptor Russ Faxon.

This is your first time onstage at the Opry in nearly a decade. Do you remember how many times you played it previously? I don’t know. When I had my records out, anytime I was in town I would say yes every time I could. There were years I played it maybe only three or four times and other years I did 20 shows. When I had my first records out I talked about the Opry so much in my interviews that I had a couple of folks in the periphery of my career that said, “Maybe don’t talk about the Opry so much because it’s dating you.” This was back in the early Nineties.

Not at all. All of the openly gay artists, the new artists and the ones who’ve had hits before, we’re close. We talk and we’ve been talking since I came out.and I spent five years together on the phone talking about how to take the steps [to come out], how does he get ready to steel himself. Part of my being out is that I talk about it. Always. If I’m on a plane and somebody says, “What does your husband do?” I don’t just let it slide. I say, “Actually, I have a wife.

Now, I was never shy and I was never one to not take an opportunity, but I didn’t sing anything from the stage. I also didn’t get picked to be on the TV show. But the very next summer I would be working at Opryland and I would play the Grand Ole Opry four months after I got to Nashville. So the first time I sang on the Opry stage it was real.

 

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