Whose Side Is ‘Marriage Story’ On? (Column)

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Do we choose sides when we watch “Marriage Story,” Noah Baumbach’s brilliant and wrenching tale of divorce? The question, on the face of it, sounds facile in a dozen ways that the movie…

” is one that Charlie has already emerged from. He’s an engaged and caring dad; he knows how to look after his son and be more than the breadwinner . “Marriage Story” jumps off from a dilemma that sounds more superficial: What’s a couple to do when each partner wants to live in a different place? Who’s going to win that argument? And what does the outcome mean?

Almost any argument, within a marriage, can be about something larger than that argument. “Marriage Story” makes the audience feel blindsided, too, as we can’t help, at first, but sympathize with Charlie. Yet the world that’s churning inside Nicole comes rushing into the drama during the scene where she first consults Laura Dern’s divorce lawyer to the stars.

In “Kramer vs. Kramer,” Ted Kramer has to learn, for the first time, how to care for a child on a daily basis, and that’s a mountain for him to climb. But in “Marriage Story,” what Charlie is fighting for is the basic right to be with his child. And that, in its way, is a question that transcends privilege. When I see reports about celebrity divorces in the tabloids, it always strikes me that issues of child custody are the supreme leveler.

“Marriage Story” is about the traumatic sting of Charlie and Nicole’s separation, but more than that it’s about Charlie’s dawning realization that divorce may take Henry away from him. The film, for a long time, puts us “on Charlie’s side,” so that when he hires a world-weary schlub of a divorce lawyer and then a cynical shark of a divorce lawyer , we instinctively want him to “win.

us more of Charlie’s side. In the end, though, it’s firmly on Nicole’s side. Charlie doesn’t know what hit him, and that makes him a touchingly vulnerable and desperate figure. What he wants from the divorce-industrial complex is for the court in Los Angeles to side with the place he was at in his marriage: that it was the right thing for him to do to hold his “New York family” together. Yet the film embeds us in that outlook only to portray it as the one Charlie has to wake up from.

Source: Entertainment Trends (entertainmenttrends.net)

 

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OwenGleiberman Whichever side gets me two Christmases!

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