school, she counts to five and leaves without him, presumably telling herself thatthe jerk. To “When You’re Finished Saving the World,” being good is exhausting and miserable, and aspiring to be good is even worse. Joy exists only to be taken away. As payback,She shuts off theand one more pleasure is put aside. Even cinematographer Benjamin Loeb shoots nature as though the barren treesAs an actor, Eisenberg has been one of the great caricaturists of anxiety.
o like him, and is continually disappointed, the human equivalent of those baby monkeys who cling to wire skeletons shaped like maternal warmth.fine — or, at least, he’s not the instigator — even though the spinning red recording light he installs outside his bedroombattlefield.
It’s odd that a kid this desperate for validation wouldn’t at least pump himself up by chatting with the girls who worship him online? But that would scramble Eisenberg’s argument that there’s no place for a well-meaning doofus like Ziggy in modern society — an argument that’s already muddled by the introduction of another student at Ziggy’s high school, an aspiring car mechanic named Kyle who moves into Evelyn’s shelter and wouldn’t care about a locally sourced soybean if it bit him on the...
In Kyle, Evelyn sees a polite boy she prefers to her own son She doesn’t see that Kyle’s manners are, in part, due to her authority over his housing. Just this portion of the film could spin out into a full story of power and obsession. Yet, as Moore takes her character from cold to chilling, she and Eisenberg grace Evelyn with an empathy she can’t extend to anyone else.
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