What the $50 Million Success of 'Capernaum' in China Means for Arab Cinema

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With Nadine Labaki's Oscar-nominated drama smashing all records for Arab films thanks to the Middle Kingdom, regional producers are already getting calls from Chinese distributors looking to emulate its success.

’s astonishing figures have smashed all records for Arab films. They far outstrip the $14 million amassed globally by Labaki’s first feature, 2007’sin 2013, and Hany Abu Assad’s 2005 Oscar nomineeThe stats not only underline the growing appeal of international art house cinema in China, but also showcase the phenomenal potential for Arab films – which have traditionally struggled to find a significant oversees audience – in this growing and sometimes unpredictable market.

“Distributors in China will definitely be looking more at what comes out of our region,” says Mohammed Hefzy, the Egyptian producer behind titles including Cannes-bowing, and also the director of the Cairo Film Festival. In the past few weeks alone, Hefzy says that several Chinese distributors have been in touch asking about some of his films and if he “had sold the rights in China or not.

“This is a film about poverty and what it means to be a social outcast, subjects that are very relevant and global,” says Hefzy.“I think it’s a very important direction,” says Alaa Karkouti of regional distributor and producer Mad Solutions. “Up until now we only had exceptions, like

 

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This film was, for me, the best foreign film of the year. It deserves all the attention it’s getting. Capernaum

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