What’s next, AI writing an off-Broadway musical? It already has.

From left, Aysan Celik, Heath Saunders, Colleen Werthmann, Michael Castillejos, Trey Lyford and Jennifer Morris in the Civilians' “Artificial Flavors.” NEW YORK — How do you analyze the artistic circuitry of a new musical when the musical’s lyricist is just circuits?

To help me understand what I was about to see onstage, I brought along my daughter’s boyfriend, Isaac Rodriguez, a 33-year-old doctoral student with data-crunching talents that are as mysterious to me as the wiring inside my MacBook Air. Over dinner, he pulled out his phone and showed me the simple interface that sets ChatGPT in motion: a homepage with a message box. I asked it to write a play about a man walking into a pet store to buy a parrot.

“Artificial Flavors” takes this basic formula to a far more sophisticated level. Cosson serves as emcee for the evening, explaining at the outset that he’s become something of an AI obsessive. “I spend many a late night trying to write a song or a scene or a story,” he tells the audience, adding that he even used AI to create a bot of himself that he named Aging Homosexual, and with which he carries on conversations.

While ChatGPT whips up lyrics and dialogue lickety-split, and, Cosson says, offers suggestions for musical chords, Lipton adds full musical phrases on the spot, and the actors follow his lead. As a preliminary demonstration, Cosson, seated at a laptop, asks the chatbot: “The play is called ‘Artificial Flavors.’ Can you write the theme song to this play?”On the brink of the future, hand in hand.

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